Despite the undeniable artistry, it all pales in comparison with the masterfully made mausoleum of St. Adalbert. In the center of the ascetic presbytery there is a richly decorated, stone baroque canopy. Its golden color strongly contrasts with the silver casket below, in which the saint's relics were deposited, and it was made in 1662 by the Gdansk goldsmith Piotr van der Rennen. From the age of the reliquary, the sculpture of Saint Adalbert looks at the pilgrims, while the casket was laid on the shoulders of four kneeling figures by Wladyslaw Marcinkowski. Behind the confession we will find a fragment of the former tomb of the martyr, the image of the deceased, a medieval tomb from the second half of the 19th century. 15th century, made of red marble by Hans Brandt.
Above the temple, two crowned helmets towers, which were rebuilt after the fire in 1760 in the Baroque-Classicist style, according to the design of the talented architect Efraim Schroeger. A monument to the first Polish king and founder of the church in this place - Boleslaw Chrobry.
Next to the basilica is the Archdiocesan Archives; its resource currently has about 2,500 lineare meters of archives and books, including about 80,000 books - nearly 1,100 items are parchment or paper manuscripts, including over 200 medieval. Among the collected monuments are, among others: a parchment manuscript of the Evangelist from the 9th century, originating in Reims in France, The Golden Code of Gniezno (Codex Aureus Gnesnensis) - a gold-plated evangelist from the 11th century, the bull of Innocent II from 1136, containing 410 Polish geographical names and the Bible from 1414 - richly decorated with hundreds of miniatures in initials.